![]() most famous Tosca in Sardou's stage play, first performed it in Paris in 1889. Puccini's watchwords are authenticity, precision of musical detail, social awareness, the poetic sound of the ostensibly mundane, heroism coupled with shrewdness, the contrast between passionate commitment and cold remoteness. When agents come to ask if it is time to hang Cavaradossi, Tosca, broken. ![]() Puccini's musical statement is as brutal as it is tender, as intelligent as it is sentimental, as precise as it is dreamy. This is also mirrored in the aesthetic theme of Tosca. He took all their harmony refinements and subtleties of instrumentation and managed to detach the voice somewhat from the orchestra, all the while giving it a far more fragmented and melodically sensitive accompagnato in the orchestra than the radical and laconic Verdi ever had. He created a very personal bond with Verdi and Wagner by taking his inspiration from both masters. He is known to have been a great admirer of Wagner and anything but a second-rate imitator. In view of the connection between Puccini's choice of subject matter (directly and indirectly inspired by Zola, Hauptmann and Gorki) and his method of composition it is natural that we crown him Verdi's successor and confer on him the badge of "verismo".
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